![]() The Jester (Summer 1400) Īndrei ( Anatoly Solonitsyn), Daniil ( Nikolai Grinko) and Kirill ( Ivan Lapikov) are wandering monks and religious icon painters, looking for work. After the crash, a horse is seen rolling on its back by a pond, one of many horses in the film.įresco Bosom of Abraham by the historical Daniil Chyorny ( c. He is the first of several creative characters, representing the daring escapist, whose hopes are easily crushed. In spite of this the balloon is successfully released and Yefim is overwhelmed and delighted by the view from above and the sensation of flying, but he cannot prevent a crash-landing shortly after. The balloon is tethered to the spire of a church next to a river, with a man named Yefim ( Nikolay Glazkov) attempting to make the flight by use of a harness roped beneath the balloon.Īt the very moment of his attempt, an ignorant mob arrive from the river and attempt to thwart the flight, putting a firebrand into the face of one of the men on the ground assisting Yefim. The film's prologue shows the preparations for a hot air balloon ride. The background is 15th century Russia, a turbulent period characterized by fighting between rival princes and the Tatar invasions. The main film charts the life of the great icon painter through seven episodes which either parallel his life or represent episodic transitions in his life. ![]() Plot Īndrei Rublev is divided into eight episodes, with a prologue and an epilogue only loosely related to the main film. Even more since being restored to its original version, Andrei Rublev has come to be regarded as one of the greatest films of all time, and has often been ranked highly in both the Sight & Sound critics' and directors' polls. As a result, several versions of the film exist.Īlthough these issues with censorship obscured and truncated the film for many years following its release, the film was soon recognized by many western critics and film directors as a highly original and accomplished work. release through Columbia Pictures in 1973. The film was further cut for commercial reasons upon its U.S. In 1971, a censored version of the film was released in the Soviet Union. A version of the film was shown at the 1969 Cannes Film Festival, where it won the FIPRESCI prize. Because of this, it was not released domestically in the officially atheist Soviet Union for years after it was completed, except for a single 1966 screening in Moscow. ![]() The film's themes include artistic freedom, religion, political ambiguity, autodidacticism, and the making of art under a repressive regime. Tarkovsky sought to create a film that shows the artist as "a world-historic figure" and " Christianity as an axiom of Russia's historical identity" during a turbulent period of Russian history that ultimately resulted in the Tsardom of Russia. Although the film is only loosely based on the life of Andrei Rublev, it seeks to depict a realistic portrait of medieval Russia. Savva Yamshchikov, a famous Russian restorer and art historian, was a scientific consultant of the film.Īndrei Rublev is set against the background of early- 15th-century Russia. The film features Anatoly Solonitsyn, Nikolai Grinko, Ivan Lapikov, Nikolai Sergeyev, Nikolai Burlyayev and Tarkovsky's wife Irma Raush. The film is loosely based on the life of Andrei Rublev, the 15th-century Russian icon painter. The film was re-edited from the 1966 film titled The Passion According to Andrei by Tarkovsky which was censored during the first decade of the Brezhnev era in the Soviet Union. Andrei Rublev ( Russian: Андрей Рублёв, Andrey Rublyóv) is a 1966 Soviet biographical historical drama film directed by Andrei Tarkovsky and co-written with Andrei Konchalovsky. ![]()
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